Cinderella Gender Swap

Inspired by my recent foray into the depths of my blog’s search terms, here’s a Cinderella-themed gender swap!

Prince with glass slipper copy

[Sorry for his facial expression.  You really don’t get to see the prince with any sort of personality, even in his expressions.]

The story starts out the same, with Cinderella (let’s call him Cinderedmund for fun) having a wicked stepmother (or stepfather, because it really doesn’t matter) and two wicked stepbrothers (these actually do matter, since they’re going to be trying to win the favor of Princess Charming at the ball, and for the sake of it being a Disney movie…).  Anyway, Cinderedmund is hardworking and eager to please his stepmother, who is passive-aggressive and a bit verbally abusive.  He’s got some mice friends and he dreams of a better life–through song! His animal friends help him make a fancy formal suit for the ball the king/queen (once again, you could gender swap him if you wanted to) is giving in honor of his/her daughter, Princess Charming.

Cinderella ball gown copy

The sole purpose of this ball is for Princess Charming to find a husband.  [[This is where the gender swap really emphasizes some of the really wrong parts of this story.  Disney, when adapting this story, didn’t even bother to give Prince Charming a name.  More than that, he’s totally a one-dimensional character.  His sole purpose is to find a bride, and he picks a girl totally just based on looks, despite the fact that we know Cinderella’s actually got a really good personality, is well-developed as a character and can take continual abuse with good humor and is intelligent, hardworking and kind.  Prince Charming, on the other hand, barely says anything at all, spends the entire ball being bored until he sees Cinderella.  They dance together, apparently fall in love with barely a conversation between them.]]

From the other perspective, the crime of poor character development is even more egregious: Princess Charming barely says anything at all during the ball, then at a single sight of Cinderedmund in his shiny, fairy-godmother-made suit that would make Liberace jealous, she falls instantly in love, purely on looks.  Just like every other Disney princess movie.

Anyway, midnight comes and Cinderedmund has to run or risk being exposed, Princess Charming runs after him, but only finds his crystal loafer that he left behind on the stairs.  Cinderedmund goes back to his peasant life, gets locked in the attic by his wicked stepmother just as the Grand Duke comes with the glass loafer to test it out on every eligible man in the kingdom.  (In this case, Cinderedmund probably has either tiny, pixie feet or huge, gorilla feet for it not to fit anyone).

There’s another problem with this.  Granted, it makes sense that the Princess (or the Prince) wouldn’t waste her time going door to door with the shoe to find her true love, but don’t you think it would help with the identification? But no, the princess is completely passive, not even bothering to go hunting for the man she loves.  [[As is true with Prince Charming.  He just has his minions go find her.  I mean, Prince Phillip freakin’ kills a dragon to get to Aurora, but Prince Charming just sits in his Lazy Boy while his true love is locked in an attic by her wicked stepmother.  Whatever.]]

So anyway, the glass loafer shatters but–yay!–Cinderedmund has the other one, which fits perfectly! Then (I assume), Cinderedmund gets hauled off to the castle to be reunited with his princess, and they get happily ever after! (One can only guess, because they haven’t really talked to each other yet…)

Bonus: Before and after pictures!

Prince with glass slipper before and after

Cinderella ball gown side by side

Other Disney Swaps:
Little Mermaid Gender Swap
Tangled Gender Swap
Sleeping Beauty Gender Swap

Disney Heroine Body Swap – Part One
Disney Heroine Body Swap – Part Two

 

Obligatory Copyright Notice: All original images, characters and stories belong to Disney.  The original images are provided by disneyscreencaps.com.  The photoshopping is mine.  This is a work of fan art.  No copyright infringement is intended.

Search Term Extravaganza!

Okay, so WordPress provides bloggers with search terms of their viewers to help them find out how their audience is finding them.  Since February, there are 608 search engine phrases used to find my site.  538 of these are “Unknown” (i.e. they are not recorded by the search engine itself because they are private or whatever reason. Not included in either of these numbers are the views from people who access my pages through direct links (i.e. linked from Facebook or other social media sites, or those bookmarked pages.) The leftover 70 or so fall into several categories, which I will now share with you.  [[I apologize in advance if you see one of your search terms is listed here and for me poking fun at it.  Please be assured that I have absolutely NO idea who you are, as WordPress doesn’t identify who searched for what.]] I have capitalized things where appropriate because it’s easier to understand what they were looking for, but left spelling and grammar the same because, on the whole, my readers are pretty literate.

Category 1: “Right on!”
This category I reserved for the search terms that my site was made for, that is my blog’s main draw, that I specifically mentioned or made a big deal about on my blog.

Example search terms:

  • Anything with the words “swap”: gender swap, body swap, head swap, etc.
  • “Do Belle and Jane look alike?” The answer is yes.  See here.
  • Tour of the kingdom” (Multiple terms included references to Little Mermaid, Eric and/or Ariel)  See this comic.
  • “Reindeer are better than people” and “Reindeers are better than people” “Raindeers are better than people.” I did a rant about the pluralization of reindeer in my blog.  [[First search term: Yay! You spelled it the right way! Second search term: Well, that’s what it does say in the lyrics, even though it’s wrong.  Third search term: No.  Just…no.]]
  • “Daniel Radcliffe flaming branch.” Yup.  I definitely reposted this picture.
  • “Eric merman” and “Little Mermaid Ariel human” I certainly did make Eric into a merman and Ariel into a human.
  • “Devil’s Snare” is deadly fun but will sulk in the sun! (Also, I killed Neville with it.)
  • “Frozen who was in charge up to the coronation” I was really, really, really happy when  I saw this one.  It proves that more people than just me started digging around into the sheer weirdness of there being no one ruling Arendelle for the three years before Elsa came of age.  Seriously? This still bugs me.  Read this.  It’s probably my absolute favorite of any Disney What-if story I’ve done.
  • Related to the above search phrase: “What are Elsa and Ana’s parents names from Frozen.” Nope, they aren’t mentioned.  I named them Nikolas and Ingrid, because in the written word, people need names.  You can get away with stuff like that in movies and TV where all you have to do is be able to recognize someone.

Subcategory: “You’ve definitely been here before”

  • “Alice and Wendy” I’m certain I’m not the first person to find the similarities between Alice and Wendy (considering they’re voiced by the same person), but I feel like this is far less likely to be a common search term than gender swapped characters from the same movie.  This is two different characters from different movies.  I’m chalking this up to revisits.
  • “Megara as Jasmine” You, my friend, have been here before.  When doing the second part of my Disney Heroine Body Swaps, I had trouble figuring out who paired best with Ariel, Mula, Jasmine, Megara, Esmeralda and Pocahontas.  The fact that I put Jasmine and Megara together was a matter of statistical pairings: out of all of the possible pairs, which combinations maximized the similarities between them? This is not a common search term.
  • “Obliviate cartoon” Way too specific to be a coincidence.  Just “Obliviate?” Maybe.  Just “Harry Potter comic?” Almost certainly.  But not this one.
  • “Evil Olaf” Considering Olaf is the cutest, most cuddliest thing in the world, this is no coincidence.  Case in point.
  • “Animal paradox in movies” Sure, this one could be someone wondering why Disney movies vary so widely in how much an animal can speak, but I specifically called my post The Disney Animal Paradox. I’m calling this a repeat visitor.
  • “Ariel and Eric tour of the kingdom the Great Mouse Detective” These two search terms are so unrelated that they have to be trying to find my page.  My Tour of the Kingdom comic and my mention of the Great Mouse Detective in the Disney Animal Paradox were posted only 3 days apart.   Someone must have remembered parts of my two most recent posts (at the time) or the two they had read and they were trying to find me again.

Category 2: “I can see how you ended up here”
This category is for those search terms that are more than just your average amount of overlap.  They’re things that may have been quoted, mentioned or referenced in my blog, but are generally not something big or important.  Usually, there’s an overlap between things I commonly talk about (Beauty and the Beast, Little Mermaid, Frozen, Aladdin and Disney in general).

Example Search terms:

  • “Disney screencaps”, “[Insert name of Disney movie] screencaps”, etc.  I frequently cite Disneyscreencaps.com as the source for most of my images for my Disney photoshopping antics.  You should check them out rather than me.
  • People searching for a very specific image, things like “Gazeem Disney” “Aladdin restrained” “Aladdin drowning” “Hans sword” “Gaston proposal”, “Friend Like Me”, “The part where Ana turned into ice in Frozen”, “Prince Belle marry” “Disney Lefou” etc. I have definitely had Aladdin being restrained, then drowned, as well as Gazeem’s name in my Aladdin Without Magic, and similarly mentioned the other things in other writings.  A lot of these terms are so vague that they could just as easily lead you to any other Disney-themed website.
  • “Frozen Elsa introvert” A common personality quiz going around the internet is about “Which Frozen character are you?” and talking about personalities types with Ana being the extrovert and Ana being the introvert.  I searched on my site, and I used the word introvert in reference to Dumbo, but never about Elsa.  However, “Frozen” and “Elsa” are both common tags in many of my pages, so there’s the connection.

Category 3: “WTF?”
This category is for the search terms that either 1) are completely bizarre or indecipherable or 2) are totally messed up, wrong or helllll no.  Before you ask, YES! These are all 100% real and 100% not made up.  Don’t believe me? I can screenshot them for you.

Example search terms:

  • “Bondage Ariel y Eric” First of all, a cursory look in an online Spanish-English dictionary tells me that bondage (i.e. the sexual practice) in both languages is spelled the same, which explains why there’s that “y” in there.  Some Spanish reader is looking for some kinky mermaid action.  There is none here to be found.  Sorry.  [[Please note that this search term came up twice.]]
  • “Alarm merman” I have no idea what you’re searching for.  You probably got sent here because I had “merman” from my Eric-as-a-merman swap and I no doubt have the phrase “Raise the alarm” somewhere on my blog, but what exactly are you looking for? Are you looking for a merman alarm clock? Are you wondering if there are guard mermen standing sentinel over Triton’s underwater palace who are there to raise the alarm in case of invading sharks? I have no idea.
  • “Aladdin bird stone” Just “Aladdin bird?” Answer: Iago.  But what does “stone” have to do with anything? I know Maleficent’s pet crow gets turned into stone by one of the fairies in Sleeping Beauty, but not Iago.  Maybe you ended up here because of me referencing the stone Cave of Wonders and Iago in my Aladdin without Magic, (or maybe my mention of the Great Stone Dragon in Mulan) but I don’t know what to tell you.  I have no stone birds here, from Aladdin or otherwise.
  • “Belle double penetrated by Gaston and Adam!” As George Takei would say, “Oh myyyy…” Note: I did not put that exclamation point there.  Someone really, really wanted to see this.  Again, there is nothing like this on my site.  I probably was high up on the list of results because I actually call the Beast “Adam” in my Beauty and the Beast Without Magic.  His name is actually never mentioned in the film, so it’s not widely known.
  • “Aurora underwater gagged” Aurora was never underwater.  Maybe they meant Ariel? She was gagged by Flotsam and Jetsam, I believe.
  • “Elsa made her heat ice cold” Say what? If you made your heat cold, then it’s not heat anymore.  Elsa’s cryokinetic, which means she can control ice and snow.  Maybe this is a search about her body heat, like why doesn’t she freeze to death if she makes coldness with her bare skin? I got nothing.
  • “Body Jasmine Ariel images” This one wouldn’t be so bad if not for the word “body” at the front.  Are you just trying to check them out, or is there something more? Were you trying to find a body swap and forgot one of the words? Were you trying to figure out who was skinnier, or maybe just trying to find full-body images rather than just the torso or head/neck area?
  • “Cuzco and Elsa Disney” Okay, that’s just about the weirdest pairing I’ve ever seen.  A girl who makes winter and an emperor from South America.  Sure.  Maybe this is a strategy against global warming?
  • “Aladdin sexy” “Megara sexy” What, they aren’t sexy enough for you in the movies? Sheesh.
  • “Little Mermaid legs taken from Cinderella” Is that how Ariel gets legs? Ursula steals Ariel’s voice and, in exchange, takes Cinderella’s legs? Is Ursula the pawn shop of the magical world?
  • “Body swap inanimate comics” Are there animate comics? Don’t we just call those…cartoons? Or animated features? Or maybe you want me to swap pictures of comatose Penn & Teller…
  • “Aladdin giant” Are you looking for a large-sized, high-res picture of Aladdin? Or do you want a picture of him crushing the people of Agrabah like ants? There is definitely a part in the movie where Genie is giant, but not Aladdin.

Category 4: Questions I want to answer
These are people who were obviously trying to get some information from the internet.  I’ll take a stab at it.

Example search terms:

  • “In Frozen which girl had the powers” Elsa.  There’s nothing else to say to this.
  • “Lampwick’s fate” I actually had to look this one up myself, having watched Dumbo infrequently as a kid.  But you never find out what happens to Lampwick.  He just runs off as a donkey and no doubt gets sold with all the other boy-donkeys.  Drinking’s bad for you, kids.
  • “Deeper meaning to magic carpet ride from Aladdin” Whoa.  Lay off the weed, dude.  They’re flying…through the world…Stay with me here…on a magic carpet… Or maybe “There’s a magic carpet inside all of us.”
  • “Does Anna lose her white srtip [sic] of hair after Elsa thaws her frozen heart” Yes.  It’s gone. Elsa un-whited the rest of her hair at the end, so why not the original strip?

Category 5: Ideas you’ve given me

  • “Futurama Fry merman” I now want to make a merman version of Fry to show how he would have looked had he chosen to stay in the Lost City of Atlanta.
  • “Cinderella gender swap” I haven’t done one yet, basically for the reason that the prince is so not memorable.  I generally try to swap two characters and their positions in the story rather than actually change Cinderella into a man.  Therefore, it would be Cinderella in some sort of outfit that looks similar to the prince’s and the prince in a really pretty ballgown.  These kind of swaps don’t really work unless the outfits make sense.  (For example, when I swapped Eric and Ariel, I didn’t give Eric a seashell bra; I just showed what he would look like if he were a merman.  Ariel was a bit of a cross-dresser, but I made her outfit more feminine.  Kinda pirate-chic.)  I suppose I could make Prince Charming wear Cinderella’s work outfit, but with pants instead of a dress, and Cinderella wear the prince’s outfit modified to be a ballgown… Hmmm…the juices are flowing.  Stay tuned! [[Update: Check it out here]]
  • “Harry Potter fan fiction gender swap” You’re definitely here because of “Harry Potter” and “gender swap” but unfortunately, I’ve never done one of these before.  It’s hard to do swaps from live-action movies (well, harder than animated movies) because it still needs to look like real people. But, it would be interesting to do Harriet Potter and the Life That’s Hard When You’re a Boy But Even Harder When You’re a Girl Because People Expect You to Save the Wizarding World and Yet Still Look Pretty. Wait…never mind.  That’s depressing.
  • “Body swap Tarzan and Jane” This one I have thought of before, but it’s not super fun for me.  We’ve already seen Jane in a jungle-woman outfit at the end of the movie.  It’s no fun to do it again, just more work for a crappier product.
  • “Disney five muses mermaids” Oooooo! This could be fun! The Muses from Hercules redone as mermaids!
  • “Harry Potter awesome edition” Is this a fan fic? Or a recut of the original films? Either way, SOMEBODY TELL ME BECAUSE I WANT–NAY, NEEDTO KNOW!!!!
  • “Gender swap Ursula sea witch” I had considered this, and even mentioned it in my Little Mermaid Gender Swap.  I imagine she’ll look like a trucker as a man.  Give me time. [[Update: Check it out here.]]
  • “Frozen Arendelle in the cold huns giving blankets” I’m sure they meant “Hans giving blankets”, but this has given me an awesome idea from that typo: Shan Yu and the other Huns from Mulan handing out blankets to the people of Arendelle.  Mushu: “They popped out of the snow…like daisies! And then they gave us…blankets…”
  • “What else could Ariel of swapped” Well, that’s actually a really good (if poorly executed) question! (“Could have…” not “could of”) Wouldn’t it be funny if Ariel had swapped her arms for legs? Ursula: “You have your looks…your pretty face… And don’t underestimate the importance of eating with your toes!”) Or maybe her sight? She could be hitting on Max the dog and never known it. Or her hearing? She could just talk and talk and talk and not care how she sounds.  Eric can show her all sorts of cool new human things and she’d be making up crazy names for them because she can’t hear what he’s saying.
  • “Disney descendants daughters” Not quite sure what you mean.  This could be a search about Walt Disney’s daughters, mentioned in Saving Mr. Banks, but my personal interpretation gives me some ideas.  What would the kids of the Disney couples look like? We get a peek of some of them in the sequels (Simba & Nala have a daughter Kiara, Ariel & Eric have Melody, etc.  Yes, I have seen these sequels.  I just…needed to know…)  But merging facial features to make a composite is not out of the realm of possibility… What kind of kids do Prince Charming & Cinderella have? Or Aurora & Phillip? [[Update: Check some out Aladdin’s daughter here.]]

Well, that’s it for now! If enough people keep searching for weird stuff, I will undoubtedly have more stuff to discuss in a future post! Until then, keep reading!  See your search term and want to comment? Go ahead! I love to find out that people are actually reading my posts…

Disney What-ifs: Young Triton

So, what does Triton look like under all of that beard and hair? What did he look like before he went gray? Turns out, he looks like a trucker, or maybe a pro wrestler.

Young Triton copy

I decided to give him sort of red-brown hair, reminiscent of Ariel but not flat-out red.  I kept the mustache purely because I didn’t want to have to figure out what his top lip should look like, but I shrank it a bit so it wasn’t so ginormous. He got a haircut, too, plus less of a receding hairline.  I even shrank his muscles a bit, mostly in the shoulder area, which seems counter-intuitive considering a younger Triton should be in the prime of his life.  However, a great majority of his size is just making him look normal with all of that beard.  Once the beard is gone, his head is way too small for his body.

Bonus: Before and after pictures for comparison

Young Triton before and after copy

 

Other Cool Stuff:
Disney What-Ifs: Ariel’s Mother
Disney What-Ifs: Aladdin’s Mother
The Frozen Heart
Beauty and the Beast Without Magic
Aladdin Without Magic

 

Obligatory Copyright Notice: Original images and characters are copyrights of Disney.  Screencaps provided by disneyscreencaps.com.  Photoshopping was done by me as a work of fan art.  No copyright infringement is intended.

Ringwraith Pillow Fight

My friends and I went camping this weekend, and someone proposed this question: What if the Nazgûl from Lord of the Rings fought with pillows instead of swords?  Here’s my interpretation.

 

Single Nazgul pillow fight copy

You gotta admit, they are still pretty terrifying.

 

Frodo and Nazgul pillow fight copy

Frodo is about to be injured by a Morgul feather pillow, a wound beyond Aragorn’s power to heal.  He needs Elvish medicine to heal such a vicious blow.

 

Aragorn and Nazgul pillow fight copy

The Hobbits tend to Frodo as Aragorn faces off against the Nazgûl with a fiery torch and his own trusty pillow.  The fire is a lot more effective than just lighting the Ringwraiths on fire, especially if you can light the enemy’s own weapon on fire to disarm him.

As you can imagine, this got my mind thinking about making all swords in Lord of the Rings into pillows.  Gandalf’s trusty pillow Glamdring, the tattered shreds of Narsil, resewn into the mighty pillow Andúril for the one true king of Gondor.  I imagine Sting as one of those little sofa pillows, not fit for a man but perfectly sized for a Hobbit.

 

Obligatory Copyright Notice: This is a work of fan art.  No copyright infringement is intended.  All original images are copyright New Line Cinema and the books and characters are copyright J.R.R. Tolkien.  The photoshopping is done by me.

Totally Awesome Things I Didn’t Make – Avatar: The Last Airbender Edition

To those who have never seen Avatar: The Last Airbender, you should.  Just don’t watch the movie version.  FOR THE LOVE OF ALL THAT IS GOOD AND HOLY, DON’T WATCH THE MOVIE! (For a director who claims to be a fan of the show, they didn’t even get the pronunciation of the main characters’ names correct…) It’s only 3 seasons with half hour episodes; give it a try and I swear you won’t be disappointed.

In any case, here’s some stuff I didn’t make for your amusement.  I tried to credit the original authors when possible.  Sorry if I didn’t credit your work correctly.  There’s only so much I can do with the internet as a source.

 

Disney Characters as Benders:
Here’s just a few of my favorites.  Check out more on the link below.

Credit: Robby at cartooncookie.tumblr.com

 

Aang and Appa as Calvin & Hobbes:

Credit: Why Naut?

 

Appa Van:

Original van owner: Unknown
Pictures taken by At Last I See the Light

There is nothing cool in this post.

Hey, all.  Just wanted to tell you all that I’ve had a craaaazy busy weekend.  Just got home from out of town and I haven’t had a chance to put anything together for my usual weekend post.  I will hopefully have something soonish, even if it’s just a compilation of other people’s cool stuff.  Maybe I’ll do a gender swap if I’ve got time.  Going to become unconscious soon….

Disney What-Ifs: Aladdin’s Mother

Happy Mother’s Day to all the mothers out there (and a special shout out to mine! Love you, Mom!) In honor of our beloved mothers, here’s a tribute to a Disney mother that we never got to meet.  Unlike a lot of Disney mothers who are absent from the movies without explanation, we do get the tiniest hint of Aladdin’s mom.   We know from Aladdin that he’s a street rat, and we know he’s an orphan (“I’d blame parents except he hasn’t got ’em”).  Or is he?  We find out this is not the case in Aladdin and the King of Thieves when we meet Aladdin’s father, Cassim.

[[Can I just take a moment and try to convince you to watch this movie? No, I’m not asking you to watch Return of Jafar, unless you’re a glutton for punishment.  Granted, there are some good things about RoJ–a few decent songs, Iago’s redemption–but the plot’s convoluted, there’s two different villains (Abis Mal from the TV series and, of course, Jafar), and there’s no Robin Williams as Genie.  My advice is just skip the second movie and jump right into KoT.  All you need to know is that Iago now works with the good guys, though he’s still just as loud-mouthed and self-serving as ever.  In fact, the only mention of Jafar in the entire movie is in the opening song, saying, “Without Jafar and all his malice, everybody’s happy.  What could possibly go wrong?” That’s it. You don’t need to know how Jafar meets his end to know what’s going on here.  Plus, the songs are fantastic, it’s got John Rhys-Davies as Aladdin’s father, it’s got an entirely new plot, a decent villain, a magical object as intriguing as a genie’s lamp, plus Robin Williams back as Genie! The next time it’s out of the Disney Vault, just give it a chance.  I promise.  It’s good.  Quite possibly the only truly good Disney sequel.]]

In King of Thieves, Aladdin tells Jasmine, “My past…it’s a blank. My mother died when I was just a kid, and I never even knew my father. I have no idea where I come from.” Sad stuff, but it gets worse.  When Al finally meets up with his dad, we find out what actually happened to him all those years ago.  As Cassim tells it: “I knew exactly what I wanted for my family: the best.  I couldn’t give up and go back empty-handed. But the weeks turned into months and the months turned into years… I came back to Agrabah one night, but I couldn’t find my wife, or my son. I thought my family was lost forever. At that moment, I would have traded anything to get your mother back.” To which Aladdin responds, “We never wanted gold… We wanted you.  I wanted a father, I still do.” [[See? This movie is actually good.  It’s really a heartfelt investigation into Aladdin and his family and past.]]

From this conversation, we get a sense that, before their family broke apart, they had been happy.  There had been love between them.  We can see perhaps a glimpse into why Aladdin is such a “diamond in the rough”–it’s got to be his mother’s influence.  Let’s meet her…

Aladdin's Mom

Though Samira and her family never had much money, she felt like she was the richest person in Agrabah. She had a husband–Cassim–who worshipped the ground she walked on, who had been so infatuated with her that he had tried to convince her parents that he was a prince in order to win their favor.  It hadn’t worked, of course, but she had so adored his adventurous spirit and his winning smile that her parents eventually relented and agreed to the match.  Then, when their first son, little Aladdin, arrived, Samira’s heart leapt for joy.  She loved to watch Cassim tell Aladdin stories of far-off places and caves filled with wondrous treasure, of flying carpets and genies and sandstorms that a man could summon with a snap of his fingers.

Samira made a living taking in sewing and laundry; it didn’t earn much, but it was enough for her to live on.  Cassim helped when he could, disappearing for days on end and return with food and small gifts for her and young Aladdin.  She had long ago suspected that many of the items had been stolen, and though her conscience was heavy with the knowledge, she knew there was little she could do.  She could try to return the items, but since the punishment for thievery was having a hand cut off, it was not worth the risk of getting caught by the guards.  Instead, she did the best she could to urge Cassim to find steady work to provide for the family.  “Things will be different soon,” Cassim would say.  “I promise.” But all the promises in the world could not fill the hole in her heart left behind when Cassim went off in search of adventure and a better life for his family and never returned.

Raising a child on her own was not easy.  She had hated Cassim’s secret thefts of food for the family, but now that they were gone the money from Samira’s washing didn’t seem to stretch as far.  Aladdin was a growing boy, too, shooting up like a bean sprout every day.  It was hard to keep a belly like his full when he was always running around the streets of Agrabah, climbing up awnings like a monkey.  Aladdin was so like his father with a penchant for mischief and danger, but with a heart as big as the Sultan’s palace.  One day, she caught Aladdin stealing an apple from a merchant’s cart.  She was so ashamed by the act that she had slapped his hand away and brought him to tears right there in the middle of the marketplace.  Fortunately, Aladdin’s tears had been enough to distract the merchant and given them time to rush home before the nearby guards were alerted to the theft.

Once home, Samira scolded Aladdin, telling him how stealing was wrong and that the consequences of it were not worth the risk.  She never told Aladdin about his father, how she suspected that he had been captured and imprisoned on one of his foolish quests for gold and treasure.  She did not want her son, so like Cassim, to ever have to go down that path.

But Aladdin kept growing and eating, and even honest Samira questioned whether or not it would be so bad for young Aladdin, who had so effortlessly charmed the local ladies in town at the young age of five, to put his skills to good use and procure a little extra food for the family by whatever means necessary.  No, she told herself.  Never thievery.  Instead, Samira provided for her son the only way she could: when Aladdin’s dinner portions became bigger and bigger, Samira’s became smaller.  Aladdin was a smart boy, however, and began to notice the disparity in their portion size.  When asked about it, she would simply respond, “I’m not very hungry right now, Aladdin.  I ate while you were out playing.” Nights were always so cold in the desert, the days so hot.  Their already meager clothes began to turn to rags, and all the patches in the world weren’t enough to save them from the elements.  Samira and Aladdin would huddle together for warmth on those long, cold nights.

Hard work, long hours, cold nights, little food, ragged clothing… illness soon followed.  When Samira was too ill to work, Aladdin set out for help.  He was so young and such a charmer that he managed a few scraps for him and his mother–an apple here, a loaf of bread there–but nothing coming so close as the medicine he desperately needed.  Aladdin considered stealing what he needed, but he remembered his mother’s scolding and refrained.  Everything else he did, however, had not been enough.  Samira was gone; his mother was gone.

Aladdin was alone, just another street urchin without a family.  For a time, pity for the poor boy who had just lost his mother, combined with Aladdin’s natural charm, had earned him a meal or two.  But even the kindest of neighbors is not always so willing to take in an orphan when they already have so many mouths to feed.  But Aladdin was quick-witted and even quicker on his feet and found a way to outrun the local guards.  His mother had never wanted him to steal, but she was gone now, and he had to eat.

Still, he had inherited his mother’s kindness, her unwavering goodness.  There was never another urchin that he hadn’t tried to aid, whether it was to find them an abandoned building to use for shelter or to share his meal with them.  He never stopped dreaming, either, staring up at the palace and wondering what it would be like have everything his heart desired.  But he knew that even the Sultan himself couldn’t grant him his unspoken, secret wish: the mother he lost, that diamond in the rough.

 

Other Disney What-ifs:
Disney What-ifs: Ariel’s Mother
The Frozen Heart

 

Obligatory Copyright Notice: Aladdin, Return of Jafar, and Aladdin and the King of Thieves and characters are all owned by Disney.  The literary character Samira is my creation.  Original artwork is done by Disney, with screencaps curtesy of  disneyscreencaps.com.  Photoshopping was done by me as a work of fan art.  No copyright infringement is intended. 

Star Wars Machete Order

Happy Star Wars Day! May the Fourth be with you!

In honor of the event, I’m going to recount the experience I had yesterday watching the Star Wars movies in Machete Order.  For those of you unfamiliar with this order, you start with Episodes IV and V (A New Hope and Empire Strikes Back), then jump to Episodes II and III as a flashback, (Attack of the Clones and Revenge of the Sith), then end with VI (Return of the Jedi).  This order fixes a lot of the problems most people have with watching the prequels.  If you watch them in production order (Original trilogy, then prequel trilogy), you end on a not-very-good movie, and the plot is all very up-in-the-air.  If you watch them in chronological order (Prequel trilogy, then original trilogy), the story is in the right order, but then you start off with the worst movie of the bunch (Phantom Menace), and worst, the big twist of Empire Strikes Back is totally ruined.  Phantom Menace is left off the list because 1) it’s terrible, but more importantly, 2) it is completely unnecessary to the plot and 3) is more streamlined without it.  Still confused? Read more about Machete Order here.

I had done this before with my equally Star Wars obsessed sister and we both LOVED it.  Like, never-watching-them-in-any-other-order-again loved it.  I told one of my friends about it and we took a day to watch them in Machete Order.   This friend, heretofore known as “Friend”, had seen the Star Wars original trilogy a long time ago, and was so disappointed and pissed off about Episode I that she never watched any of the other prequels.  So trying out Machete Order on her had the added bonus of perspective since she hadn’t seen 3 of the movies in a long time and 2 of the movies she had not seen at all.  What follows next will be both her reactions to Episodes II and III in and of themselves, as part of Machete Order, and my own personal observations on why Machete Order works and what I think is really wrong with the prequels in general.  Here we go!

 

Episode IV:

We start off as usual, with Episode IV. “Help me Obi-Wan Kenobi, you’re my only hope” and whatnot. We get to meet Luke, Obi-Wan, Han and Chewie, Leia, Vader…the whole gang. I don’t think anyone would argue that New Hope is the absolute best way of introducing the Star Wars universe to viewers, since that was actually how it was originally done. The Death Star blows up with the help of Luke’s growing Jedi powers, but Vader’s still out there, so Episode V here we come!

 

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Episode V:

They drop us right into action and rebellion again. Some time has passed, and now we see our main characters as major players in the rebellion.  We get some flirting between Han and Leia, a mission from Obi-Wan in the snow, and a battle right off the bat.  Luke goes to train under Yoda, who we are just meeting for the first time because of the order we’re watching them in.  We get Cloud City action and betrayal, and then the two plots come together as Luke must go to Bespin to save his friends and confront Vader.  Yoda warns him not to go, that his training is incomplete, that his is in danger of falling to the Dark Side in fear of losing his friends. Han is frozen in carbonite, an epic lightsaber battle commences, then we get the mother of all reveals: Darth Vader, evil fallen Jedi, is Luke’s father.  Luke falls, is saved by his friends, and they go off, a bit defeated.  Episode V ends with a mission: we’ve got to save Han.

This is where Machete Order really does rock.  Saving Han is important, yes, but in the movie, they wait, like, THREE YEARS before attempting it.  So, shouldn’t we use this time really trying to understand what just happened? Darth Vader is evil.  He killed Luke’s father, for goodness’ sake.  Obi-Wan told Luke that his father was a Jedi, a good man, and a hell of a pilot.  So how the crap can both of these things be true?  We want to know about Vader! Han can wait.

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Episode II:

Attack of the Clones starts off with action.  We’re interested to know who Senator Amidala is and who is trying to kill her.  Remember, we don’t know anything about Phantom Menace.  We’ve never seen her before.  All we know is that 1) she’s a senator, 2) she’s important because she’s a voice against the Separatist Movement we heard about in the title scroll and 3) someone’s trying to kill her.

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We’re interested to know what this has to do with anything.  We want to know about Vader, so she’s got to be important.

We also get to see Obi-Wan right off the bat, which is a great tie-in to IV and V.  Familiar faces.  And who is this with beloved Obi-Wan? Anakin Skywalker! (aka Darth Vader as a brooding teenager.)  We realize we’re seeing a young Vader, back before he turns to the Dark Side, back when he and Obi-Wan worked together and were friends, as Obi-Wan says.  Great tie-in: Anakin is wearing black, which we have just seen him wear as Vader.  He’s the only Jedi we see wearing black, which is super ominous.

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Soon it’s Anakin, Obi-Wan and Padmè all together.  We don’t really know how they all know each other (because Phantom Menace doesn’t exist), but it’s pretty obvious they do and that they’re friends. They state how long it’s been (ten years).  We really don’t need to know how they met or what was going on because, frankly, this is way more interesting.  Just mention that they had dealings with each other, that they remember each other, etc.  Then move on.

Please note that the first real interaction we see between Padmè and Anakin is him being super forward about his feelings and her totally blowing him off and talking down to him.  This doesn’t seem like a traditional love story is on its way, nor even the playful back-and-forth between Han and Leia.  This is definitely more of a creepy stalker/unaware victim thing going on, and fits much better in with the Darth Vader we know.   Add to that, the Jedi set up a camera to help defend the senator from assassination attempts, which Padmè turns off.  Anakin: “She doesn’t like me watching her.” Stalker vibe is at 11! He didn’t play that off as a joke, either.  Not, “I guess she didn’t like us watching her.  I wonder why, heh heh…” Nope.  Way creepier.

We also see Obi-Wan and Anakin arguing a lot–we remember what Obi-Wan sating about Vader being his student and turning to the dark side.  Warning lights are going off in our minds.  It seems like Anakin is a lot closer to turning than he actually is, which is actually pretty jarring, and is one of the failures of this movie.  Watching Anakin, it’s like creepy, creepy, petulant, creepy, petulant, evil, pillar of light, petulant, uncontrollable.  That is not a steady march to the Dark Side.  That’s bad writing and a terrible character progression.  But I digress.

Then we have a mention of Anakin dreaming about his mother–we want to know what happened about her.  We want to know about Vader, and thus we want to know more about Anakin’s full backstory.  It isn’t really important to know about her, why Anakin left her (though we obviously assume it was to be a Jedi) and what’s happening to her besides pain.  We already know fear leads to the Dark Side, so having scary dreams does not augur well.

Chase scene: We see Anakin is extremely impulsive, jumping out of cars, taking shortcuts.  We see him disobeying Obi-Wan at every turn.  We remember what Yoda told Luke about being impulsive and worry.  Then, in the tavern, we’re reminded of Mos Eisley cantina.  We even get a pretty quotable interaction between Obi-Wan and a patron (“You don’t want to sell me deathsticks.”)

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Then, we see someone that looks like Boba Fett. Note: Boba Fett’s name isn’t mentioned until Return of the Jedi, but we’ll recognize him as looking strangely similar to the bounty hunter from Empire Strikes Back.  It’d be nice fanservice in itself, but then we end up with a whole backstory later.  It’s a little over-the-top if you’re watching this for the first time, especially because Boba Fett gets one line in Empire and only gets named in Return, so Jango Fett getting a whole plotline is a little too much.  [[Skipping ahead a bit: Also, don’t you find it a little weird that these clone soldiers, who were apparently made for the Republic, were cloned from a bounty hunter, called “scum” even by Imperial officers in Empire? Couldn’t they have used like, an actual soldier for a template? Was there really only one guy in the entire universe willing to be duplicated en masse?]]

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We get to see Palpatine influencing Anakin.  We don’t know Palpatine is the Emperor, first of all because we haven’t really met the Emperor besides one conversation with him in Empire and because we really haven’t seen the Emperor in Episode II yet either.  All we know is he is up to no good.

Episode I is where most of the prophecy about Anakin comes into play, but here they make a mention of it, too.  But before you can even ask, “Wait, what’s the prophecy?” they explain it: Anakin is supposed to bring balance to the Force.  Interesting…why? We know Vader’s super evil, so how is that bringing balance?

In this episode, we don’t really notice Jar Jar too much, which is good.  It is a little jarring (pardon the pun) that the senator is dealing so much with him, treating him with a lot of respect when he’s clearly an idiot, and we don’t know why he’s being left in charge.  Friend (who’s never seen Episode II): “I thought she was going to leave her bodyguard in charge.” Actually, that might have been a better choice, considering what Jar Jar does next…

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Later we see Padmè and Anakin talking–Anakin is raging against Obi-Wan’s treatment of him.  He’s pretty whiny, but you can see that this guy can turn to the dark side.  It’s all about power and respect rather than truth and justice.

We see Yoda training younglings when Obi-Wan goes to him for advice.  We can see that Luke really was too old for the training. However, this scene is a little unnecessary. Why does the planet (Kamino) need to be erased from the Jedi archives? Obviously people know about it because some random prospector/diner guy knew about it, so it’s not like it was a secret.  At first you think that this mention of a Jedi being the only one who could erase something from the archives is proof that a Jedi was behind the conspiracy sounds like the Jedi are going to be betrayed by one of their own, but the guy who did it is dead. So who cares? Also, is Obi-Wan really so naive that he doesn’t consider erasing things from a file to be a viable option? I find my lack of faith in him disturbing…

We get some background about Padmè here, which is good, because we really don’t know much about her that isn’t related to the political situation at hand and the audience wants to try to like her as a person (hard, I know.)  We find out Padmè was a queen, but she was elected? Okay, that’s weird.  We do get Padmè’s back story a bit soon enough, so our questions are answered. She was queen, then was asked by the next queen to be a senator.  Okay, that tracks, but seriously, a queen? I realize they were trying to make a reason for Leia to be a princess (something never explained), but if you’re an elected queen, your title is not going to pass to your children.  [[Also, as we know in Episode III that Leia gets raised by another senator and his wife, again, why is she a princess?  Quick fix: Prince Bail Organa, senator for Alderaan.  Done.  Fixed. George Lucas owes me royalties.]]

Padmè talks about the Trade Federation with the bureaucracy on Naboo, which is a little confusing.  The Trade Federation was important in Phantom Menace, but this is their first mention in Episode II and it’s a little confusing in Machete Order. Why do we care abut them? If the distinction of the Trade Fed being part of the Separatist Movement was more pronounced, it might not be an issue, but that really doesn’t come up.

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Next, we see Padmè talking down to Anakin again, calling him “just a Padawan learner” to the others.  Anakin shoots back and tries to argue with her about being in charge of her security and she shuts him down again.  Again, not the best start to a romance.  It’s like they’re trying to do Han and Leia’s back and forth but failing.  It’s not endearing; we get the feeling like she’s stuck-up and self-important, and he’s a punk teenager who thinks he knows better than everyone.  Yeah, I totally would love to see these two hook up and have babies. [Note: sarcasm]

Meanwhile, Obi-Wan finds out about this mysterious Jedi who ordered the clone army and that he’s dead. We think we’re supposed to know something about him from Episode I (because we skipped it), but no.  It’s confusing for everyone.

Back to Naboo.  Anakin’s being creepy again, straight-up hitting on her.  How on earth does he think this will be reciprocated? All she’s done all movie is shoot down his ideas and belittle him.  Then, he goes and touches her bare skin in her fairly skimpy dress.  Creepy.  Friend: “AND HE’S TOUCHING HER!!!”

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They kiss (wait–what?) and she breaks away.  This kiss happens way too soon.  We haven’t seen them even really interact in a way that’s remotely affectionate.  This should have happened after their romp in the fields, where they exchange stories and goof off together.  That’s what brings two people together.

Okay, so now this next part is actually something the prequels did well.  Obi-Wan is touring the cloning facility on Kamino and then we pan to see the Clone Army for the first time. We see lines of the clone soldiers in white armor and blasters that look just like stormtroopers.

Friend: “Wait, WHAT?” Mega-twist.  I remember being surprised about that the very first time I watched it, too.  We are supposed to think that Stormtroopers are bad, and here they are, ready and waiting to be used by the Republic. Well done, George.

Now we get what is maybe one of the only actually good love scenes, where there is genuine affection, friendship and actual smiling. 

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There is something seriously wrong with a love plotline that has so much arguing, angst, secrets and just plain creepiness and so little actual love and tenderness.  The talk about politics gives us some more insight into Anakin, how he says that when politicians disagree, someone should make them.  Padmè: “Sounds a lot like a dictatorship to me.” Anakin: “Well, if it works.” We can see how Vader can be part of the Empire, not just because he’s evil, but because he has an ideological connection with a dictatorship.  It works, in my opinion.

Aaaaaand back to the creepy, angsty love scenes.

You probably can’t tell from the picture, but Anakin is professing his love right now.  Phrases like “Haunted by the kiss we never should have shared” and “agony without you.” This sounds like a stalker rather than love. But she just accepts it.  In fact, the only reason she rejects him is that they’d have to hide, that it wouldn’t be honest.  How about “I just don’t love you”? Geez.

Oh, it gets worse.  “You’re asking me to be rational, and that’s something I just can’t do.” This is not a good Jedi.  At this point, even having seen all of the prequels several times, I start hoping that Anakin and Padmè’s love story will actually not be one.  That it will be more sinister, like maybe using Jedi mind tricks on her in the attempts to influence her to love him.  I mean, this is a guy we know turns into a dude who goes around choking subordinates whenever they fail in a simple mission, so why not make him have hints of sadism in his love life, too.  But no, apparently angst = love.

Anakin’s dreams again. Padmè and Anakin talk about them the next morning. He decides to go help his mother, but we still know nothing about her. It’s a little weird.  It’s like, “Anakin, protect the senator.” “But what about my mommy?” “Man up.  You’re a freakin’ Jedi.” It’s really a missed opportunity that Obi-Wan isn’t there to give some kind of advice, some kind of warning to him like Yoda did to Luke as he left for Cloud City.  Even just, “You have responsibilities, Anakin,” would be enough, but a warning about succumbing to the Dark Side would have been handy here.

Now we’re on Tattoine.

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We recognize it at once and realize that’s where Luke’s from, which is good to have a connection between father and son.  They both grew up in the same place, which makes sense why Luke was raised with his uncle, who would probably have stayed on the planet.  Now we meet Watto, a blue dude we don’t know and wonder if we’re supposed to. (Of course we do, from Phantom, but like I said, that doesn’t exist anymore).  We get from this conversation that Watto knows Anakin, maybe from when he used to live here.  Anakin finds out that Watto sold his mother. Wait–what? He sold her? How can you do that? In Episode II, we’ve had no mention of Anakin ever being a slave, nor his mother.  This is the kind of thing the audience should be reminded of.  I don’t care if it’s the second in a series where they expect you to have watched the first one before seeing the second one in theaters.  You need to remind people of character’s history.  We do get the info that this guy Lars married Ani’s mother and freed her, so the implication of slavery is there, but seriously.  Just come out with it.

Obi-Wan in the asteroid field. We remember the asteroid field from Empire. Obi-Wan also uses the same stick-your-ship-to-something-to-evade-scanners trick that Han uses.   Fanservice, but it works.  A lot of flak that sci-fi shows/movies get is that they use clever tricks against enemies once and never again, but why not do something that works?

There’s another mention of Federation ships. Who are they? I think they mentioned them on Naboo… (Again, the Trade Federation connection is stupid.  It’s like George Lucas is trying to justify Phantom Menace being just a separate entity from the rest of the prequels by throwing in these tie-ins.  We should have just started with Separatists from the get-go.)

And now we’re meeting C3P0.   It’s weird because we don’t know about Anakin making him, because that happens in Phantom Menace AND SHOULD NEVER HAVE HAPPENED AT ALL.  That’s just dumb.  You could have had Threepio be a random helper droid from Naboo or something? Or saved him for Episode III when there might have actually been a better reason for meeting him? Or simply had him in the background, or a one-shot cameo like Jabba in Phantom Menace? Or not had him at all? Sure, having his memory erased at the end of Episode III is funny (especially because they don’t erase R2’s), but the nods to the audience are fine.  But we don’t need to be beaten over the head with Threepio when he serves no purpose.  In New Hope, he gets dragged along by R2 unwillingly, so why on earth did he hook up with them in Episode II? Anakin’s just like, “Hi, here’s my dead mother.  Let’s have a funeral and then I’m totally going to steal your droid.”

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Meeting Anakin’s new family. We do get to see why Owen is his “uncle” since they’re like stepbrothers. But it’s bizarre. “Hey, I’m your stepbrother because my dad purchased your mom AS A SLAVE but then married her which makes him slightly less evil of a person and now she’s kidnapped by Sand People who we know exactly where they are but have done nothing about.” Yeah, we should totally leave a baby with these people.  Luke’ll be safe.  There is  something to be said about seeing Luke’s homestead again, seeing the comparison between Luke and Anakin and remembering how Owen and Beru get deep fried.  Some more fanserverice: seeing Jawa transport ships, the Sand People… Nice throwbacks.

Factory on Geonosis with droids being built. “With these battle droids built for you, you’ll have the finest army in the galaxy.”  Well, we know that’s not the case because the stormtroopers are the ones who last until New Hope, so there’s a tiny bit of “Ooo, how’s it going to happen?” but mostly it’s just “This side will lose the war.  Got it.”

We see some random people talking about fighting against the Republic.  We can only guess these are Separatists but it’s confusing.  Remember, the Separatists have mostly only been mentioned at this point, and a lot of the talk we’ve seen was about the Trade Federation, rather than the Separatists.  This led to some confusion from Friend-who-hasn’t-seen-it: “Are the Separatists the start of the Empire?” This is actually not a good thing to happen.  We know the clone army (the Republic) is supposed to become the stormtroopers (the Empire), but then we have these really bad guys who we’re about to go to war with and we no longer know what the hell’s going on.  We feel like we’ve missed an important point and yet that’s the way it’s actually laid out.  We also don’t know that the old guy in the middle is Count Dooku, who’s only been mentioned once or twice at the start of the movie as part of the Separatists and we actually haven’t met him yet! Introduce your major characters better!

Anakin finds his mother. Then she just up and dies for dramatic effect.  Like, seriously, there’s no other point to her in this movie.  She tries to say “I love you,” then faints before she’s finished like she’s about to die, recovers herself, then tries to say it again and never finishes.  Is it supposed to make it more meaningful if she tries multiple times to say “I love you” and fails? Also, how is showing that Vader once had a good mother who loved him going to make us believe he is willing to turn to the Dark Side?  Anakin kills all the Sand People in revenge, and doesn’t look at all remorseful as he’s doing it.

Meanwhile, Yoda has visions of Anakin. “Pain. Suffering. death, I fear. Something terrible is happening. Young Skywalker is in pain.” This should be the point where we start seeing the Vader who can just choke people without a second thought.  But it’s a lost opportunity.  Killing out of anger? Good, because that leads to the Dark Side.  But then this happens…

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“Why did she have to die?” Freakin’ whining, pitying himself.  This is not the Vader we were hoping for.  “I will be the most powerful Jedi ever.” Okay…better? “It’s all Obi-Wan’s fault. He’s holding me back!” What? What does that have to do with anything? He’s talking about his mother, then wanting to be stronger so he could have saved her, he’s going to be powerful, then…Obi-Wan? What the hell is this train of thought? “I killed them all. And not just the men, but the women and the children.” Too much whining. This was his chance to be cold and remorseless and we lose the buildup. Someone this whiny cannot be Vader.  If this had been delivered with a little menace, perhaps a little cold enjoyment.

[[Here’s my version: A non-angsty, no-tears revelation: “I killed them all.” Padmè: “Ani…no…” Anakin: “And not just the men, but the women and the children.” His face is all cold determination and the barest hint of a smile.  He doesn’t regret it at all.  Padmè is horrified.  Padmè: “You’re a Jedi, Anakin.  You can’t just murder innocents like that!” Anakin: “They kidnapped and killed my mother.  In time they would have grown up and done the same again to someone else.  None of them are innocent.”  Throw in a musical cue of “Imperial March” and I’ve got chills.]]

Now for the funeral…

“I miss you so much.” Again, why are we showing Darth Vader caring so much? It would be better to see him totally shut down at this point, not to cry, not to mourn, just to cut himself off from that kind of familial love.  This is a guy who cuts off his own son’s hand; yeah, let’s have him be a pansy at his mommy’s funeral.  (Not to mention he just slaughtered a whole bunch of mommies.)

Obi-Wan on Geonosis: Now we finally find out that the guys plotting are definitely Separatists.  Because we were guessing for a while.

Anakin gets the message from Obi-Wan and Padmè wants to go and rescue him.  For once in his life, Anakin’s actually showing restraint. “He’s like my father! They gave me strict orders to stay here.” Yeah, like that matters to you now? After you already left Naboo against orders, then murdered a bunch of people in cold blood against your Jedi code? Now, when he has the chance to save another person he loves right after losing his mother whom he “wasn’t strong enough to save”, now he wants to stay? Totally out of character, and this conversation is only here so Padmè can be more proactive, which is okay, but not at the expense of Anakin’s character arc.

Obi-Wan and Dooku–We finally know his name. There’s a mention of Qui-Gon. Who? Oh, they explain it–Qui-Gon apprenticed under Dooku and Obi-Wan apprenticed under Qui-Gon.  That’s fine.  Need to watch Phantom Menace averted.  We find out the council is under the influence of a Sith Lord. “Together we can destroy the Sith.” Obi-Wan: “I will never join you, Dooku.” Reminder of Empire.

Back to the terrible, terrible love story in the arena.  They’re saying their final farewells as lovers, and all Padmè can say is, “I’ve been dying a little each day since you came into my life.” How is that romantic? Usually people say how they would die without someone, not die with someone in their life.  Stupid.

The Jedi show up en masse.

Now this is actually pretty awesome.  Lightsaber battles are always awesome, and it’s nice to see what a huge contingent of Jedi look like, considering how many are left by New Hope.  Mace Windu kills Jango Fett.  The audience realizes, “Okay, so the kid must be the bounty hunter that’s after Han.” The pose with the mask is creepy, though…isn’t his dad’s head still inside? And if not, what did the kid do with his dad’s head?

The Clones show up…and they’re fighting for the Republic. Again, it gets you thinking: how are the clones going to become part of the Empire? Just as we start to think about that, we spy the Death Star in the background while Dooku and Trade Federation guys are talking.  I like the nod, but later they blow it by making it a blatant part of the plot rather than a subtle nod to the fans.  Dooku: “These [the plans] will be safer with my master.” Okay, so are we finally going to know who the mastermind is (as if we didn’t know.)

Obi-Wan and Anakin argue about landing the ship after Padmè falls out. He’s so freakin’ whiny, and Obi-Wan shoots him down with that “what would Padmè do?” line.  Blech.

We see Count Dooku with Force lightning. This is something that Machete Order fails at a tiny iota.  We haven’t actually seen the Jedi or Sith be able to do that yet, since we haven’t actually met the Emperor.  It’s sort of supposed to be this big reveal that he’s a Sith, but we don’t know that the lightning is an indication of evil yet, so it fails a bit.

Anakin and Dooku fighting. Anakin loses his arm. Very reminiscent of Vader/Luke, and since we just watched Empire before this, the comparison is even more noticeable in our minds.

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Yoda shows up and I like how he deals with the situation at first.  Yoda told Luke that a Jedi uses the force for defense, never for attack.  Here, Yoda doesn’t deflect the flying objects at Dooku, (which is exactly what you do in the Lego Star Wars videogame, FYI) but just deflects them away.  It shows that Yoda as a pillar of light against evil, that he won’t succumb to temptation for the easy path like Dooku, even if it’s just using his own tactics against his opponent.  But then there’s a lightsaber battle and we lose that feeling a bit.  Yoda’s a good fighter, but I feel like that’s not necessary to know.  We already know he’s super awesome with the Force, especially the spiritual side, so I fell like it would have been way more awesome for Yoda to come in and save the day through entirely non-fighting means.  Like Dooku just keeps throwing stuff at him–rocks and debris and Force lightning–and Yoda just deflects it all, Force-lifts Obi-Wan and Anakin out of there, and leaves, giving Dooku a warning before he goes.  Sure, it’s not as awesome as a battle, but it’s still pretty badass, like walking away from an explosion without looking back.  That way, when Yoda fights Palpatine, it can be totally epic and awesome.  Yoda’s pulling out all the stops actually fighting him and still he can’t beat the Emperor.

We find out the war was totally planned by the Sith, then see our favorite guys from the Jedi Council talking about it.  Then we see the Star Destroyers taking off and the Clone army marching with “Imperial March” playing in the background and think, “Wait…Are we rooting for the bad guys?” Ominous stuff.

So, then after Episode II ended, I asked my friend’s opinion of the movie first as someone who had never seen it, then in relation to Machete Order. Here it is:

Post episode opinion: “I didn’t hate it as much as Phantom Menace. I don’t like Anakin still. He’s super creepy.  There’s potential in the story, but…yeah…” [Disappointed sigh.] Machete Order: “That was…interesting.  This one’s more political than the other two [IV and V]. The stormtrooper twist was cool. In the original, we haven’t seen the Emperor yet, but I know we saw him in Phantom Menace. Knowing some of the players makes it more interesting having just watched New Hope and Empire Strikes Back. I wouldn’t have thought Episode II was interesting if I hadn’t watched IV and V.  As a general thing, Padmè wasn’t as interesting as Leia. Padmè seems more passive even though we’re told she’s a strong presence. I can see Leia leading the rebel forces but we don’t actually see Padmè doing the stuff she’s supposed to be able to do.”

Now on to…

 

Episode III:

We start off with a space battle.  We get to see Anakin being a good pilot, which we really haven’t seen much of.  Yeah, we saw him fly a speeder thin on Coruscant but this is actually in space.  We need a reason why Vader was actually piloting a TIE-fighter in New Hope. 

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Friend’s reaction to General Grievous: “Wait…is he a droid? He’s coughing.”

Later, with Obi-Wan and Anakin on Grievous’ ship… Friend: “Maybe it’s because it’s just a comparison between the last movie, but I like the fact they [Obi-Wan and Anakin] are getting along.” See, George? You weren’t showing them as the “good friends” they were told they were in New Hope. 

Lightsaber fight with Dooku.  Dooku: “You have hate.  You have anger.  But you don’t use them.” This is cool.  We need to be reminded that Anakin is going to turn evil, and he’s going to have to do it in this episode, and that he’s a boiling, bubbling pot of Dark-Side juice waiting to be unleashed.

But then Palpatine, the guy who Anakin is here to save, also starts telling Anakin to kill Dooku and use his hate and whatnot. How does Anakin not realize that both of these dudes, one evil, one supposedly “good” are both, in fact, evil since they’re telling him the same thing? Also, why did Anakin confide in Palpatine about his mother? Thus far, we haven’t really had a lot of interaction between them, and suddenly they’re buddies, swapping deeply emotional stories? It’s very forced.

Best comment of the day from Friend: “R2’s like a sonic screwdriver!”

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Also another thing brought up by my friend.  There’s a lot of prejudice against droids.  In both the original and prequel trilogies, we see a “No droids” policy in a lot of food places, and droids are treated as totally replaceable even though they have very distinct personalities and clear sentience.  They’re second-class citizens, but then there’s a droid leading the Separatists. Is that intentional? Is Grievous the voice of the embittered masses? Wait, no…we find out later he’s got human bits for some reason.  Never mind.

Anakin starts having premonitions about Padmè and the baby on the way. Padmè follows him outside to talk and, later, Anakin even talks to Yoda about it. “Fear of loss can lead to the dark side.” They did mention this in Empire, but it doesn’t seem like a real threat to succumbing to the dark side.  “Oh, no, I’m going to lose my wife! Maybe if I kill a BUNCH of people, then I can be strong enough to save ONE person!” How is that logic in any sense of the term? Did I accidentally fast forward through the part where I found out this was a sequel to Highlander?

My friend started noticing the Easter eggs left in the script from when it was supposed to be revealed that Palpatine used midi-chlorians to create Anakin. (Palpatine even calls Anakin, “son.”)  Friend: “Do we know who Anakin’s dad is?” After having recently watched Empire, this is a wise question to ask.  Me: “It was a virgin birth.” She looks blankly at me.  Me: “I know, it’s total bullshit.” Friend(realizing): “Wait that’s CANON?” Dumb, dumb, dumb plotline, George.

Mace Windu and Obi-Wan talk to Anakin about spying on Palpatine.  Friend’s reaction: “We know you’re twelve, but be a double agent.” Exactly.  How do we expect Anakin to work on something as subtle as this when he’s proved time and again that he does whatever he wants without thinking of the consequences, and has absolutely no impulse control?

Palpatine talking to Anakin about the Sith Lord:

“He had such a knowledge of the Dark Side that he could even keep people from dying.” Then he goes on to mention that this knowledge was passed down to his apprentice.  Anakin: “Can I learn this power?” Palpatine: “Not from a Jedi.” How is this not a red flag? Palpatine’s basically saying, “Hey, you want to save her? Then don’t be a Jedi anymore.  This is something Anakin should report now before he gets too emotionally involved.  Sigh.  Also, how does a guy who’s not a Jedi have such knowledge of the Force? That’s a humongous red flag, because if you’re not trained by the Jedi in the ways of the Force, there’s sort of only one other side you could have learned it from…

Obi-Wan and Anakin part ways.  “Goodbye, old friend. May the Force be with you.” Finally, some friendship!

More Palpatine tempting Anakin with secret knowledge.  Friend: “I get that because of the dream of his mother made him believe in these visions, but he’s so single-minded that I just don’t like him. They never set up this friendship with Palpatine. It’s just kind of thrust upon us that he trusts this guy more than his master of however many years.” Then…

Palpatine: “My mentor taught me everything about the Force.  Even about the Dark Side.” Friend: “Blinking warning lights!” Also, how does Palpatine know about him Padmè? Obi-Wan doesn’t even freakin’ know about Padmè until he sees her freakin’ pregnant! He’s dangling all of this information as a way to save Padmè but Anakin doesn’t say a thing about her, even in passing.

Anakin does one thing right.  He warns the Jedi that Palpatine is the Sith Lord, and Mace Windu and the others go to arrest him.  And they don’t let Anakin come along.  But then after Anakin chooses to save Palpatine and then Palpatine immediately murders Mace Windu…

Yes, this is the face of a man about to turn to the Dark Side.  Super evil, right? Anakin: “What have I done?” Utter remorse, but then for no reason: “I will do anything you ask.” WTF? If you are regretting your decision, you CHANGE IT.  Use your lightsaber and attack Palpatine!!! He may kill you but at least you’ll die a Jedi.  You don’t suddenly realize you’ve done something wrong and then be like, “Whatever.  I guess I’ll have to be evil now, but while I’m at it, I should still save the woman I love.” It’s tonally wrong, it’s logically wrong, and it’s just plain dumb.

Friend: “I think scenes like this, the quickness of it, the prequels were a lost opportunity to show a slow descent to the Dark Side.  If it had been incremental changes, like decisions Anakin made one by one, I could understand. But he went from a whiny teenager to murdering a bunch of people.” Truth.

I think they focused too much on having him be always good, but with some dark tendencies, so that his switch would be more dramatic and that the stuff Obi-Wan told Luke about his father being good would be true.  But you can do good with dark motives and start to enjoy the killing that you’re doing for a righteous cause a little too much.  That way, Obi-Wan can be looking at Anakin’s actions and seeing that he’s still doing his job as a Jedi, but then his soul’s just turning darker.  Obi-Wan’s warnings can come too late and then BOOM! Anakin betrays the Jedi for the very reason he’s always served them: because he thinks it’s right.  Remember, Obi-Wan’s description of Vader is “twisted and evil.” Not just plain evil, but twisted, as if his morality is still there, but corrupted by the allure of the Dark Side.  He was supposed to be seduced by the Dark Side, not giving in unwillingly, as it is done here.  Moving on…

Senator Organa’s ship is the same (or at least the same class) as the one in New Hope. Nice tie-in.

Obi-Wan and Yoda talk about having to kill the Emperor and Anakin, but they literally just changed it from the Republic to the Empire just now. That was the whole point of them going to the Jedi Temple right then, because the Senate was in session for the announcement and getting into the temple would be easier.  Jedi are not all-knowing, George.

Anakin-now-Vader uses the force on Padmè to choke her.

Vader’s really the only one who uses his power this way, and I like that the first one he tries it on is Padmè.  It really shows how far he’s gone.  And yet he’s still so whiny about it, complaining that she betrayed him.  Sheesh.  I really, really, really hate the acting decisions.  Way too much melodrama.  Remember, this is Darth Vader, who doesn’t really raise his voice except to yell at underlings to work harder, faster, or better.  Instead of Anakin being hurt and angsty that Padmè brought Obi-Wan along (however unintentionally), why not have him just state it.  Just cold, hard hate.  Subtlety, George.

Now this face is what we need to see from Vader! But the words coming out of his mouth are just terrible.  Anakin: “From my perspective the Jedi are evil!”

Friend: “It seems like he retroactively forgot everything. Like when he agreed to join Palpatine he seemed to be agreeing to it knowingly [that Palpatine is a Sith and evil]. Now he’s forgotten everything.” He has knee-jerking responses, trying to prove that murdering younglings wasn’t actually evil.  Can’t he just revel in it and enjoy himself? He’ll get his chance at redemption later.  Right now, we need to show him remorseless.

Anyway, Anakin gets left to die by Obi-Wan, on fire and mostly limbless.

Palpatine saves him and gives him new robot parts.  Friend: “It might have made more sense for Anakin to be indebted to the Emperor after having been saved from death. Like for him up until now to have shown remorse or regret for what he had done until Obi-Wan left him to die, but then fully change over to evil afterward.” I know, right? Anakin knows Obi-Wan’s here to kill him, so he’s got to kill him first.  And yet Obi-Wan keeps telling him not to fight him, that he doesn’t want to kill him or even fight him.  Anakin insists on it and then Obi-Wan cuts him down.  BUT, if he was really a friend, Obi-Wan wouldn’t have left him to die like he thought he was doing.  To leave your friend in agony and ON FIRE is far more of a betrayal than just trying to kill him, because a mercy killing at this point would have been welcome.  That’s when he would think the Jedi are evil, not because Palpatine told him they were trying to take over the Senate.

Another very minor failing of Machete Order: revelation of the babies’ names.  We do get the mention in Empire: “That boy was our last hope.” “No.  There is another.” And then we find out there’s twins, so that works.  But then we find out that it’s Leia, who we have already met! DUDE! The reveal come a tiny bit early, because after Tatooine, Luke goes back to Dagobah and learns about Leia being his sister from Yoda.  It shifts it a little early, but it kind of works.

The mention of Yoda communing with Qui-Gon doesn’t work with Machete Order.  First of all, the last mention of Qui-Gon was in Episode II and was super minor, and we didn’t watch Episode I.  I actually didn’t like this line even having seen all of them.  Why didn’t we just have this being a power that Jedi have, or even just super awesome Jedi? (Which Anakin, Yoda and Obi-Wan certainly all are, considering that the latter two were the only ones who managed to survive the Jedi massacre, so they have to be pretty intuned with the Force.) I mean, Palpatine already set up that there was a Sith who could make life with the Force, so why can’t the Jedi find a way to manifest their life force after death?

The last few minutes of the movie is all solely fan service, trying to set up for New Hope: Vader on the Star Destroyer as they’re building the Death Star, Leia getting adopted on Alderaan, Luke going to his “uncle” on Tatooine and Owen doing the iconic “Luke Stance” under the setting twin desert suns.

My opinion: I like that we now have a really good feel for Palpatine/the Emperor and his backstory.  He’s a super powerful Sith who manages to wield unquestionable power over the galaxy.  The rebellion, though it’s had successes, seems doomed to fail, just like the Separatists and then the Jedi were wiped out.  We really haven’t seen the Emperor much in the original trilogy, so now when Luke has to face Vader and the Emperor, the stakes are super high.  We realize that Vader turning Luke to the Dark Side might not happen, but the Emperor, who turned Anakin, could also turn his son.

Post-movie impressions from first-time-viewer: “I did like third one better than the second.  But the whole thing was rushed.  It felt like they didn’t have a plan for Anakin. I felt like they did whatever the plot required for him. He was, like, schizophrenic. Padmè was very annoyingly passive and was just a “typical woman.” She has all of these political powers and yet her whole function was to be pregnant.  She never projected as much authority as Leia but that might be Natalie Portman.  The last third seemed written with the original trilogy in mind.  Like Darth Vader’s helmet and the shots of Tatooine and the Death Star. I wanted to laugh in the “NOOOO!!!!” scene.  Vader had very awkward body language.” Case in point:

Friend: “I feel like I did like a lot in the movie, but it was rushed.  Maybe what I like is just the potential of what it could have been. It could have been better directed, acted, filmed.”

Fun fact: Our running gag throughout the prequels: Pointing out every time a character ever lost their lightsaber (which happens far too easily!) If I had noticed this earlier, I would have kept a running tally of how many times the lightsabers were lost or destroyed, just in Episodes II and III.  Anyway…

 

Episode VI:

Some people knock the scrolling plot intro of Star Wars, but for Machete Order they really work.  We need a quick reminder (especially for those of us used to chronological I through VI order) that we are not heading into New Hope but where we left off with Empire, that Han needs rescuing.

The movie starts with our first view of Vader after the prequels, which is actually pretty perfect.  We’re starting with Vader, not Threepio and R2 on Tatooine, so we have a connection from the prequels to the Return of the Jedi.  It’s almost like we ended Empire with Luke thinking about his father and how he could have turned evil, and start off Jedi with Vader considering his own past.  Anyway, Vader announces that the Emperor is coming to see the new Death Star.  The officer Vader tells this to is scared shitless, and we know why he should be. He freakin’ defeated Yoda and wiped out the Jedi!

Back at Jabba’s palace, Luke Force-chokes a guard. This is where Machete order really shines.  The last we saw Luke, he was stunned by the news that his father is an evil Sith lord, got his hand chopped off by his father, and yet he’s a beacon of light.  “I’ll never join you!” Then, we see him dressed in black (something only Anakin ever did), force-choking Jabba’s guard (again, Vader only), and being super confident.  This is a guy who is going to the Dark Side for sure.

Again, Luke to Han on the sailing barge: “I’ve taken care of everything.” Overconfident like Anakin. “Free us or die.” Wow.  Not very Jedi of him…

Luke’s arm gets shot and as he’s going to see Yoda again, we see mechanical arm under his blaster-scored skin.  We remember that Vader’s also got his mechanical arm, chopped off by a Sith.  Let’s see, Vader gets his hand chopped off by a Sith, then becomes one…Luke gets his had chopped off by a Sith and… That’s the problem with the original trilogy alone.  We never really get the sense that there is even the remotest chance that Luke will turn to the Dark Side.  He’s just too confident in his father’s goodness that there’s no chance.  But if you put all these little tie-ins right before Return of the Jedi, then the implication is far stronger than if you watched them over six hours beforehand.

The Emperor arrives, and Vader explains how he’s tried to turn Luke and failed. Palpatine: “In time, he will come to you. And when he does, you will bring him before me.” We’ve seen Palpatine time and again replace his apprentices whenever a better one comes along.  How does Vader not see this until later?

Luke and Yoda on Dagobah… Luke: “Then I am a Jedi.” Friend: “I like the parallel between Luke and Anakin. That their training was both short and yet they both jumped the gun.  Like ‘I’m there.'” [i.e. Luke thinking he’s finally a Jedi and Anakin thinking he should be a Master.]  An even better tie-in… Yoda: “Do not underestimate the powers of the Emperor or suffer your father’s fate.” Gives me chills.  You see, it’s really not Vader Luke needs to worry about, and Yoda should know how powerful the Emperor is, because even Yoda couldn’t defeat him.

Obi-Wan: “You cannot escape your destiny. You must face Darth Vader again.” Luke: “I can’t kill my own father!” I love the parallels with Obi-Wan telling Yoda that he can’t kill Anakin because he’s like a brother.   Then we get the big reveal about “Leia’s my sister.” We already know that, but it was only about a half hour or so ago.  Also, it’s really nice because Luke actually realizes it partially on his own, which ties in with Leia’s revelation that she’s also sort of known about Luke being her brother (which probably first started at their super-awkward-in-hindsight kiss in Empire.)

Luke returns after the speeder chase without Leia.  “We got separated!” I cracked up at this part, realizing for the first time ever that this is actually a really funny line.  They got separated.  Like at birth.

Leia and Luke talk about being siblings.  But how does Leia remember her mother? Is it a Force thing? Her mother being sad does actually kind of fit with the prequels as given. If the Force is strong with Leia even as a baby that she can sense her mother’s pain.  Maybe the “flashes” she got were not memories but more like visions of the past like the visions of the future Anakin used to have.

Luke trying to turn Vader back to good: “It is the name of your true self.” “I know there is good in you.” “I feel the conflict within you.” “Then my father is truly dead.” Everything Luke says is far more powerful after seeing the prequels.  We do know there was good in him, and one thing Anakin had in spades was conflict within him.

Friend (on Vader): “I don’t feel that they showed that he [Anakin] was seduced by the Dark Side. But we did see that he was a good person.”

Vader: “Obi-Wan was wise to hide her [Leia] from me.” Friend: “It’s interesting that Vader tries to use someone Luke loves to manipulate him into joining the Dark Side.  Maybe now he realizes that the Emperor manipulated him and it’s one of the reasons he changed sides.”

Then the Emperor urges Luke to kill Vader, since there are usually only two Sith. (Yes, I realize that’s only a recent development in Star Wars history according to canon).  It’d be a good reason for Vader to turn, seeing how easily he was cast aside by the master he had served for decades.

Of course, then Vader turns and kills the Emperor, dying in the process himself.  Vader gets his redemption and the Rebellion has a party on Endor.  Note, my friends and I watched the non-Special-Edition version (yes, I’m a purist) and so we get the nice view of non-teen Vader with all the other Jedi ghosts.  George, you don’t have to show us the teenage Anakin, because he freakin’ died as a man.  Luke wouldn’t even recognize young Anakin.  Also, to see your ghost dad as a teenager is just weird.

Also, creepy.  He doesn’t look happy at all, more like he’s planning to haunt Luke forever.  Also, he never wore those kind of Jedi robes.  Terrible.

Ah.  Much better.

Anyway, my final thought is that Machete Order really is the best way to watch the prequels, but especially if you’re showing them to someone who’s never seen the prequels (or any of them for that matter).  They’re not really missing a lot by skipping Phantom Menace, and thematically, the prequels are stronger as a flashback in the middle.  My only regret about Machete Order is that there’s no Qui-Gon, as Liam Neeson is a phenomenal actor and Qui-Gon is an excellent character and an good contrast to how Anakin acts and what he becomes.  However, Liam Neeson alone is not an incentive to watch that much Jar Jar, stupid plots, tonally wrong kid-Vader, and terrible acting that is Phantom Menace.

I know Star Wars is a hot-button issue, but I’m interested to hear your thoughts.  Drop me a comment! Better yet, go watch the movie in Machete Order and then tell me about your experience!

Obligatory Copyright Notice: All characters, stories, scripts and images are copyright of George Lucas, Lucasfilm, and whoever else owns the rights.  Screencaps provided by starwarsscreencaps.com

Disney What-Ifs: Ariel’s Mother

You might, like me, have wondered why an inordinate number of Disney characters are shown with only one or no parents.  The simple answer is that Disney movies are often based off of fairy tales from long ago, where illness meant it was far more common for a family to have only one surviving parent.  [[In this day and age, there are certainly a lot of single-parent homes, too, but a lot more of those are due to divorces and other less Disney-approved reasons.]] Another reason is that an addition parent means more work for the writers.  How does the character interact with each of their parents? Is it the same? Is there more tension with one than the other? Do they even like each other?

Writers have a lot of workarounds.  In Tangled, the king and queen don’t even talk! They have absolutely no personalities because all you need to know is that they’re alive, they’re the king and queen, and they miss their daughter.  In Sleeping Beauty, Aurora has both of her parents, but her mother is basically a non-entity.  Therefore, you get to know the king, who is actually really funny in his interactions with his fellow royals, but not really the mother, which is unfortunate but saves some screen time.  In Lion King, there’s two parents, but you only really get interaction with Sarabi after Mufasa’s already dead (I think she gets maybe one line before that).  In Lilo & Stitch, they kill off both parents at the same time, no doubt so they didn’t have to find two separate reasons for neither one of them being there.  That way, we actually get to see the affect of parental loss as opposed to simply never talking about it, and it gets to tie into the story and characters.

The most common solution, however, is to have one parent missing, never even to be referred to onscreen (Ariel’s mom, Belle’s mom, etc.).  But sometimes I wonder what they would be like, how they related to their children, and what happened to them.  Here’s my thoughts on Ariel’s mother, starting with how I envision her visually:

Ariel's mom

[[Side note: You’re probably wondering about the color scheme.  Well, if you take a look at the rest of the family, every single person (Triton included) has different fin colors and, for the ladies, a matching shell bra.  Add to that the fact that out of Triton’s seven daughters, two have black hair, two blonde, two brunette and one redhead.  If that doesn’t throw genetics out the window then I don’t know what does.  Maybe merpeople aren’t monogamous, and each daughter has a different mother.  Maybe merpeople lay their young in batches of eggs like fish, and maybe those eggs are highly diversified as puppy litters sometimes are.  Either way, I’m going with typical human genetics and saying old gray-haired Triton and Ariel’s mother are brunettes, resulting in a recessively redheaded child.  There.  Done.]]

King Triton was near the shoals hunting sharks when he first swam across Audra, the woman he would eventually marry.  The shoals were treacherous for human ships and there was a veritable graveyard of them rife with sharks.  The king had taken it upon himself to rid his waters of the infestation before the shark’s food sources would dry up due to overpopulation and the hungry predators would turn toward his glorious underwater city for their next meal.  With one blast from his trident, he obliterated an entire sunken galleon and the den of sharks within.  Like a jet stream, Audra shot from the neighboring wreck where she had been searching for strange human artifacts.  She swam over to the young king, demanding, “Did you do that?” He puffed out his chest, certain that he was about to receive accolades for his grand display of power.  “Yes, I did.” She grabbed the trident from his hand and bonked him on the head with it.  “You nearly killed me!” Concussion aside, Triton was in love.

Audra was not a typical queen in any sense.  Nonetheless, Triton was enamored with her, worshipping the water she swam through and adoring her indomitable spirit.  He had tried to name their first daughter after her, but Audra had refused.  Instead, Triton had compromised and gave each of them a name beginning with ‘A’ in honor of his one, true love.  Still, no matter how Triton tried, he could not seem to curb his wife’s wild adventures–searching galleons for human treasure, taking risky trips to the surface–hobbies she had tried (without success) to share with her daughters.  She did, however, find common ground in music, and all of her daughters became accomplished singers with her help.

Audra, likewise, tried to convince her husband of the magic and wonder of the human world without much luck.  Once–only once–did she convince Triton to come with her to the surface on a moonlit night.  She had always loved the stars, but the moon even more so, watching them reflect in the rippling waves.  It was the most magical night of each of their lives–yes, even Triton, but not because of the surface, but because of the love between them then that had led to their seventh daughter, Ariel.

Audra adored Ariel, not only because she was the youngest but because she reminded Audra of herself.  Ariel was strong-willed, adventurous and curious without limit.  Audra and Ariel spent many days exploring nearby caves and exchanging secrets, or pouring over Audra’s collection of human things.  Ariel begged her to let her come along on one of her trips to the sunken shipyard.  “It’s too dangerous,” Triton would say when he overheard such a conversation.  “When you’re older,” Audra would whisper to Ariel once the king was gone.

But there would be no mother-daughter journeys to sunken human ships in their future.  Audra had grown too curious as a human ship passed above one day and had been caught with nets and hooks by overeager fishermen who had thought they had spotted a marlin.  A passing seahorse witnessed the horror and swam back to warn King Triton.  The king and his trident soon made quick work of the ship, adding another wreck to the ocean floor, one that his wife would never live to explore.   As he held Audra in his arms one last time, tangled and mangled by those wretched human things, he swore that the human world would never again merge into his own undersea one.  He kept those trinkets he had given Audra over the years of their marriage, but everything made by human hands he destroyed at once with his trident until there was nothing left.  The wrecks of human ships were made out-of-bounds for all merfolk from then on.

Ariel hated to see her mother’s treasured possessions destroyed.  She had wanted to keep one or two of them for sentimental reasons–the thingamabobs and whatzits were her favorite, always reminding Ariel of those stolen moments with her mother in moonlit grottos, where they would take turns guessing what the humans used each item for.  As she grew older, Ariel decided to make her own collection in honor of her mother.  First, it was trips to the nearest sunken galleon.  Then, it was up to the surface.  As she grew more bold and more defiant at her father’s edict, she even began spying on humans on their passing ships, trying to see them use those precious treasures she sought.  She made friends with a seagull, Scuttle, whose knowledge of the human world helped Ariel understand the humans a little better.

All this was done in secret, but Ariel still wanted to make some sort of tribute to her mother.  In an act that would make her fashion-focused sisters gasp in horror, Ariel broke with tradition and abandoned the green-colored shells she had always worn to match her tail in favor of the purple color her mother favored.  She didn’t match, but since she could not change her tail color to that of her mother’s, she would make do.

Five years after his wife’s death, King Triton decided to give a concert in his late wife’s honor, with music written by devoted friend and advisor Sebastian and performed by all seven  of his daughters.  He still missed his wife, but the thought of hearing their daughters’ beautiful voices raised in Audra’s honor…that would make the pain worthwhile.

Unfortunately, the concert didn’t turn out quite as Triton or Sebastian had planned and… Well, you know the rest.

UPDATE: It has been pointed out to me that Ariel’s mom’s was actually seen in the Little Mermaid sequel.  Obviously, I hadn’t seen that before I posted this, and I will probably one day get around to seeing it, but you know Disney and their dumb “vault” system…it’s hard to get a hold of their movies. Anyway, this is simply my take based solely on the original Little Mermaid film.

More Disney What-Ifs:
The Frozen Heart

Obligatory copyright notice: All characters and the original image are owned by Disney.  The story and photoshopping were done by me as a work of fan art.  No copyright infringement is intended.